Carrie Underwood in Kingston

Concert Review and Photography by Greg Kieszkowski on behalf of Pie Magazine

web:  writingwithlightstudio.ca   |   twitter:  gregk72

       Tonight was Carrie Underwood's first ever appearance in Kingston, Ontario, and she not only managed to blow through town, but held it ransom and spellbound.  The Blown Away Tour arrived with much glitter and fanfare. It was perhaps the most extravagant and glamorous event to be held in the historic city of Kingston and it is perhaps a great sign for things to come. 

The crowd was mostly female, and more often than not teens and their gracious chaperones.  I overheard one daughter tease her father that he only volunteered for the show because Carrie Underwood has such great legs.  I was unable to remain to see the debate continue or resolve itself.

It goes without saying that the girls wore titillatingly colourful Cowboy hats, and elegantly matching Cowboy boots, which were often morphed into stylish pairs of jeans.  The odd Cowboy could also be seen mingling and singing along and the thousands of fans who packed the K Rock Centre celebrated their idol all night long.  They sang every note and knew word, while dancing the night away. 

  There was tremendous anticipatory excitement which was built up by the soulful and energetic performance of Hunter Hayes. He performed a wonderful set and as a young teenage heart throb himself, was rightly the best choice to support Carrie Underwood on this tour.

It took only a few seconds for the crowd to explode with excitement when the curtain hiding the full stage finally dropped to the ground. There was a particular moment of delight when the curtain twisted in the air and for a brief moment formed a silhouette of an Angel.  It was a sign and a testament to the countless unsung workers who tirelessly contributed to this spectacular tour. 

After several hit songs, Carrie Underwood took the time to welcome her fans and told them that she had come a long way from trying to survive on American Idol. Her goal was to write and record an album that she could be proud of, and yet here she is eight years later having released her fourth recording.  She was gracious and grateful for being able to live her dream. “It wouldn’t mean nearly as much, traveling around, or playing in cool places like this, and meeting awesome people like you, if we couldn’t help out along the way”.  Carrie Underwood informed the sold out audience that a dollar from every ticket was donated to the Canadian Red Cross.  She has done this from the very beginning of the Blown Away Tour, and this is a great testament to her longevity and bright future in the music industry.

Carrie Underwood delighted the crowd with three wardrobe changes and each was special and unique in its own way.  Being granted only the first two songs, I managed only to capture her first glamorous phase.  Her best look however, was the relaxed Daisy Duke shorts, a Willie Nelson T-Shirt, and cowboy boots.  It was her best look because as she stepped on a magical diamond in the front of the stage, she and her band were lifted up above the audience and played several songs while floating from one end of the arena to the other.  She continued to entertain, sing and dance to the delight of thousands of energetically waving hands.  Suspended above the audience, Carrie Underwood told her fans that she feels all of their great energy while singing every night but on this tour she wished to be even closer to them. 

     On a personal note, I found it fascinating how seamless and how amazingly quickly this little floating raft was assembled and taken down. I fully understand why as photographers we were asked to shoot from a hundred feet away and were not granted the customary access to the pit. In a post 911 world, this undertaking was complex enough without the worry about the actions of some seemingly crazed, seductively tall, and strikingly good looking stranger, if I may so so myself. 

Carrie Underwood performed a high energy show but managed to save the most energy for the end of the show, but did not come out for an encore.  The show ran smoothly and ended at approximately 10:30 pm.  He duet with Brad Paisley, although it was virtual collaboration, drew an amazing reaction from the crowd, as did the live duet with Hunter Hayes.  Guitar-less, yet surrounded by several guitars, he proceeded to entertain the crowd with a very solid solo on an air guitar.  

With a powerful voice, an amazing stage presence and a spectacular visual presentation, Carrie Underwood came and went.  She came, she saw... and they were Blown Away.

Leonard Cohen on Tour (in Kingston)

The crowd sat quietly awaiting their muse. I realized early that this was not the typical beer and weed crowd I am so accustomed to running into as a live performance photographer. An announcer gently proclaimed to the faithful that the “show would commence in ten minutes”, and he gently repeated his message with five minutes left to go. There were no big burly bouncers at the front of the stage, and there was no roadies busying themselves with final touch ups. The setting was brightly lit and quiet, awaiting and longing, for darkness and sound.

The crowd finally cheered and enthusiastically welcomed their hero to the stage. Leonard Cohen, dressed in a sharp black suit and a Stetson hat took the microphone and Danced the audience to the End of Love. He often sang with his eyes closed, sharing the same emotions he must have felt so long ago, reconnecting with his adoring fans. Near the end of the opening song he knelt next to Javier Mas, serenading his guitar.

Unlike other shows, one song is all we were granted to shoot as photographers, but somehow that was enough. I often feel that I am often intruding on an intimate moment between two lovers; the artist, and his beloved.

The show was very formal and theatrical. Leonard Cohen was extremely grateful to be on tour, and continued to thank each one of his accomplished musicians several times throughout the evening. He took his hat off to every single member of his great international ensemble.

One of the biggest reactions early on in the show was to the hit Everybody Knows. Leonard Cohen’s voice continues to be hauntingly deep and rich. It is amazing how closely he reproduces his recordings in a live setting. He sang about what is wrong with the world with great precision and emotion. It is also here that the audience had a chance to be treated to a beautiful twelve string solo by Spanish guitarist Javier Mas. He was magnificent and deserved a night of his own.

Leonard Cohen had a wonderfully honest conversation with the crowd throughout the show. He apologized for forcing everyone to listen to his melancholy thoughts. “I wake up every morning and I look in the mirror and I say to myself. Lighten up Leonard. Life is not that bad”, he told the audience.

The most moving moment of the night came when he recited his poem For Those Who Greeted Me. It is the inspiration and served as the introduction for a Thousand Kisses Deep. I reproduce it here in full because it is filled with great depth and moving imagery. To be completely candid, I arrived as a photographer and reviewer, but I left different. I left with tremendous respect and admiration for our Canadian icon. It saddens me that I haven’t been exposed to his great work earlier.

For Those Who Greeted Me

You came to me this morning
And you handled me like meat.
You´d have to live alone to know
How good that feels, how sweet.
My mirror twin, my next of kin,
I´d know you in my sleep.
And who but you would take me in
A thousand kisses deep?

I loved you when you opened
Like a lily to the heat.
I´m just another snowman
Standing in the rain and sleet,
Who loved you with his frozen love
His second-hand physique -
With all he is, and all he was
A thousand kisses deep.

All soaked in sex, and pressed against
The limits of the sea:
I saw there were no oceans left
For scavengers like me.
We made it to the forward deck
I blessed our remnant fleet -
And then consented to be wrecked
A thousand kisses deep.

I know you had to lie to me,
I know you had to cheat.
But the Means no longer guarantee
The Virtue in Deceit.
That truth is bent, that beauty spent,
That style is obsolete -
Ever since the Holy Spirit went
A thousand kisses deep.

(So what about this Inner Light
That´s boundless and unique?
I´m slouching through another night
A thousand kisses deep.)

I´m turning tricks; I´m getting fixed,
I´m back on Boogie Street.
I tried to quit the business -
Hey, I´m lazy and I´m weak.
But sometimes when the night is slow,
The wretched and the meek,
We gather up our hearts and go
A thousand kisses deep.

(And fragrant is the thought of you,
The file on you complete -
Except what we forgot to do
A thousand kisses deep.)

The ponies run, the girls are young,
The odds are there to beat.
You win a while, and then it´s done -
Your little winning streak.
And summoned now to deal
With your invincible defeat,
You live your life as if it´s real
A thousand kisses deep.

(I jammed with Diz and Dante -
I did not have their sweep -
But once or twice, they let me play
A thousand kisses deep.)

And I´m still working with the wine,
Still dancing cheek to cheek.
The band is playing "Auld Lang Syne" -
The heart will not retreat.
And maybe I had miles to drive,
And promises to keep -
You ditch it all to stay alive
A thousand kisses deep.

And now you are the Angel Death
And now the Paraclete;
And now you are the Savior's Breath
And now the Belsen heap.
No turning from the threat of love,
No transcendental leap -
As witnessed here in time and blood
A thousand kisses deep.

The poem is very reminiscent of Dylan Thomas’ villanelle Do not go gentle into that Good Night, and Robert Frost’s Stopping in the woods on a Snowy Evening. The melancholy images did not win the evening and all was not lost. Leonard Cohen offered a touching moment of hope when he exclaimed that “there is a crack in everything, but that’s how the light gets in”.

After a brief twenty minute break, Leonard Cohen returned to the stage. It was a well deserved break as he went on to play, past curfew, for over three and a half hours. Upon his return, the audience was asked where oh where they had learned their sense of compassion, and were told that the rich have their channels in the bedrooms of the poor. This is quite the image to ponder in the quiet corners of our hearts.

I’m Your Man drew a great reaction and a few laughs, and Halleluja brought everyone to their feet. Everyone embraced the star of the evening in a standing ovation and no one wanted to leave. Eventually though, it was time to go, but I believe everyone took a little bit of Leonard Cohen home with them.